As in my post of September 1st. on Cezanne influencing Matisse, we see the influence on Hofmann. We should be aware of and participate in the continuity of art, which opens doors for new considerations for those who follow.
Hofmann has used the tilting up of the table top very interestingly by adding another bold consideration, the rhythmic shape at the bottom left of the table top, which seems to be both on and in front of the table. This is a wonderful spatial plane, and he integrated it beautifully with a vertical just below at the right of the shape, and upwards with the curve of the table top. Another spatial plane on the table top, the pink rectangle at the bottom which seems to come forth, very impressive! There are some planes in the red just below the table top at the right as well. Can you feel their connection with the table? The combination of his free gestural stokes with his structural considerations are very impressive and I love the transparency of the green vase at the right.
Hofmann was a very knowledgeable painter and a superb teacher, who was influential in the development of the Abstract Impressionist movement in New York, which was wonderfully convoluted in the 30’s.
I will be posting more on Hofmann’s development of spatial planes with colour.