{"id":332,"date":"2011-08-29T03:59:57","date_gmt":"2011-08-29T03:59:57","guid":{"rendered":"http:\/\/www.donfarrell.net\/?p=332"},"modified":"2011-09-21T22:40:22","modified_gmt":"2011-09-21T22:40:22","slug":"cezanne","status":"publish","type":"post","link":"https:\/\/www.donfarrell.net\/?p=332","title":{"rendered":"Cezanne"},"content":{"rendered":"<div id=\"attachment_333\" style=\"width: 594px\" class=\"wp-caption alignnone\"><a href=\"http:\/\/www.donfarrell.net\/wp-content\/uploads\/2011\/08\/P8184131.jpg\"><img aria-describedby=\"caption-attachment-333\" decoding=\"async\" loading=\"lazy\" class=\"size-large wp-image-333\" title=\"Cezanne\" src=\"http:\/\/www.donfarrell.net\/wp-content\/uploads\/2011\/08\/P8184131-1024x813.jpg\" alt=\"\" width=\"584\" height=\"463\" srcset=\"https:\/\/www.donfarrell.net\/wp-content\/uploads\/2011\/08\/P8184131-1024x813.jpg 1024w, https:\/\/www.donfarrell.net\/wp-content\/uploads\/2011\/08\/P8184131-300x238.jpg 300w, https:\/\/www.donfarrell.net\/wp-content\/uploads\/2011\/08\/P8184131-377x300.jpg 377w, https:\/\/www.donfarrell.net\/wp-content\/uploads\/2011\/08\/P8184131.jpg 1433w\" sizes=\"(max-width: 584px) 100vw, 584px\" \/><\/a><p id=\"caption-attachment-333\" class=\"wp-caption-text\">Paul Cezanne - Receptacles, Fruit and Biscuits on a Sideboard - 1873 - 65 x 81 cm - oil on canvas<\/p><\/div>\n<p>This still life shows us one way Cezanne was moving away from perspective and allowing <em>&#8220;movement&#8221;<\/em> to find its place in his paintings.<\/p>\n<p>What is intriguing is that this movement is not in the inanimate painting, it is the viewer that senses movement.<\/p>\n<p>We see this in the wine glass and the cups above.\u00a0 Note how they are painted as if they are on the same level.\u00a0 In reality, this would not be possible unless the viewer is moving!<\/p>\n<p>Cezanne has freed the viewer by removing the fixed horizon line, which permits the viewer to move, not physically, but imaginatively or subconsciously!<\/p>\n","protected":false},"excerpt":{"rendered":"<p>This still life shows us one way Cezanne was moving away from perspective and allowing &#8220;movement&#8221; to find its place in his paintings. What is intriguing is that this movement is not in the inanimate painting, it is the viewer &hellip; <a href=\"https:\/\/www.donfarrell.net\/?p=332\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[8,17,1],"tags":[],"_links":{"self":[{"href":"https:\/\/www.donfarrell.net\/index.php?rest_route=\/wp\/v2\/posts\/332"}],"collection":[{"href":"https:\/\/www.donfarrell.net\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.donfarrell.net\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.donfarrell.net\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.donfarrell.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=332"}],"version-history":[{"count":10,"href":"https:\/\/www.donfarrell.net\/index.php?rest_route=\/wp\/v2\/posts\/332\/revisions"}],"predecessor-version":[{"id":536,"href":"https:\/\/www.donfarrell.net\/index.php?rest_route=\/wp\/v2\/posts\/332\/revisions\/536"}],"wp:attachment":[{"href":"https:\/\/www.donfarrell.net\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=332"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.donfarrell.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=332"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.donfarrell.net\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=332"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}