{"id":1722,"date":"2014-03-08T07:08:26","date_gmt":"2014-03-08T07:08:26","guid":{"rendered":"http:\/\/www.donfarrell.net\/?p=1722"},"modified":"2015-02-18T07:16:44","modified_gmt":"2015-02-18T07:16:44","slug":"mark-rothko-integration-with-parallels-and-shapes","status":"publish","type":"post","link":"https:\/\/www.donfarrell.net\/?p=1722","title":{"rendered":"Mark Rothko &#8211; Integration with Parallels and Shapes"},"content":{"rendered":"<div id=\"attachment_1723\" style=\"width: 709px\" class=\"wp-caption alignnone\"><a href=\"http:\/\/www.donfarrell.net\/wp-content\/uploads\/2014\/01\/1938-Untitled-50-x-37-in-oil-composition-is-at-the-forefront.-Note-repeating-rectangles.-he-distorts-for-the-sake-of-motif-and-integration-2.jpg\"><img aria-describedby=\"caption-attachment-1723\" decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-1723\" title=\"1938 - Untitled - 50 x 37 in - oil - composition is at the forefront. Note repeating rectangles. he distorts for the sake of motif and integration (2)\" src=\"http:\/\/www.donfarrell.net\/wp-content\/uploads\/2014\/01\/1938-Untitled-50-x-37-in-oil-composition-is-at-the-forefront.-Note-repeating-rectangles.-he-distorts-for-the-sake-of-motif-and-integration-2.jpg\" alt=\"\" width=\"699\" height=\"950\" srcset=\"https:\/\/www.donfarrell.net\/wp-content\/uploads\/2014\/01\/1938-Untitled-50-x-37-in-oil-composition-is-at-the-forefront.-Note-repeating-rectangles.-he-distorts-for-the-sake-of-motif-and-integration-2.jpg 699w, https:\/\/www.donfarrell.net\/wp-content\/uploads\/2014\/01\/1938-Untitled-50-x-37-in-oil-composition-is-at-the-forefront.-Note-repeating-rectangles.-he-distorts-for-the-sake-of-motif-and-integration-2-220x300.jpg 220w\" sizes=\"(max-width: 699px) 100vw, 699px\" \/><\/a><p id=\"caption-attachment-1723\" class=\"wp-caption-text\">Mark Rothko &#8211; Untitled &#8211; 1938 &#8211; 50 x 37 in &#8211; oil on canvas<\/p><\/div>\n<p>&nbsp;<\/p>\n<p class=\"western\" style=\"text-decoration: none;\"><span style=\"color: #000000;\"><span style=\"font-family: Kalinga,sans-serif;\">The best way to appreciate an artist&#8217;s mature work is to be as familiar as possible with their earlier work. \u00a0 In this painting from 1938 we see not only how varied the journey can be, but also how accomplished Rothko&#8217;s command of composition is. <\/span><\/span><\/p>\n<p class=\"western\" style=\"text-decoration: none;\"><span style=\"color: #000000;\"><span style=\"font-family: Kalinga,sans-serif;\">We feel the couple&#8217;s relationship very strongly through his marvellous use of distortion. His integration of the couple with shapes and parallels is wonderful. <\/span><\/span><\/p>\n<p class=\"western\" style=\"text-decoration: none;\"><span style=\"color: #000000;\"><span style=\"font-family: Kalinga,sans-serif;\">I&#8217;ll begin with how the rectangles of the structure behind are repeated in the woman&#8217;s hat and the collar of her dress.\u00a0 The integration ensures she is well connected with the structure, conveying a feeling of strength and stability.<\/span><\/span><\/p>\n<p class=\"western\" style=\"text-decoration: none;\"><span style=\"color: #000000;\"><span style=\"font-family: Kalinga,sans-serif;\">Next, the couple are beautifully integrated with each other with a series of parallels.\u00a0 Let&#8217;s begin with the angle of the man&#8217;s left arm at the shoulder. \u00a0 If you follow the angle downward, your eye will connect with the angle of the black shadow on the woman.\u00a0 The under side of his arm also reinforces this angle.\u00a0 Other parallels appear in his vest and the collar of his jacket.\u00a0 The parallel positioning of their forward-stepping feet and their shadows bolster the rhythmic connection. <\/span><\/span><\/p>\n<p class=\"western\" style=\"text-decoration: none;\"><span style=\"color: #000000;\"><span style=\"font-family: Kalinga,sans-serif;\">Value is most important for ensuring the importance of the movement.\u00a0 If you blur your eyes, the strength becomes more apparent.\u00a0 I should note the small parallels in the structure behind as well.\u00a0 Rothko was very thorough and these considerations are meant to be more felt than seen.<\/span><\/span><\/p>\n<p class=\"western\" style=\"text-decoration: none;\"><span style=\"color: #000000;\"><span style=\"font-family: Kalinga,sans-serif;\">There is another series of short parallels, leading us in another direction, which provides more subtle integrations of the figures.\u00a0 They occur from their right feet up to the man&#8217;s right shoulder to the angle of the woman&#8217;s hat.<\/span><\/span><\/p>\n<p class=\"western\" style=\"text-decoration: none;\"><span style=\"color: #000000;\"><span style=\"font-family: Kalinga,sans-serif;\">I haven&#8217;t forgotten the horizontal and vertical integrations and will let you discover how Rothko used them to integrate the couple with the background.<\/span><\/span><\/p>\n<p class=\"western\" style=\"text-decoration: none;\"><span style=\"color: #000000;\"><span style=\"font-family: Kalinga,sans-serif;\">His thoroughness is wonderful.<\/span><\/span><\/p>\n<p class=\"western\" style=\"text-decoration: none;\"><span style=\"color: #000000;\"><span style=\"font-family: Kalinga,sans-serif;\">To finish may I divert your attention to the fabulous spatial plane in the lower portion of the woman&#8217;s dress.\u00a0 Can you feel how the vertical rectangular shape just above her forward step comes forth? \u00a0 I love it. <\/span><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; The best way to appreciate an artist&#8217;s mature work is to be as familiar as possible with their earlier work. \u00a0 In this painting from 1938 we see not only how varied the journey can be, but also how &hellip; <a href=\"https:\/\/www.donfarrell.net\/?p=1722\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[10,4,18,45,33,34],"tags":[],"_links":{"self":[{"href":"https:\/\/www.donfarrell.net\/index.php?rest_route=\/wp\/v2\/posts\/1722"}],"collection":[{"href":"https:\/\/www.donfarrell.net\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.donfarrell.net\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.donfarrell.net\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.donfarrell.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1722"}],"version-history":[{"count":7,"href":"https:\/\/www.donfarrell.net\/index.php?rest_route=\/wp\/v2\/posts\/1722\/revisions"}],"predecessor-version":[{"id":2148,"href":"https:\/\/www.donfarrell.net\/index.php?rest_route=\/wp\/v2\/posts\/1722\/revisions\/2148"}],"wp:attachment":[{"href":"https:\/\/www.donfarrell.net\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1722"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.donfarrell.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1722"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.donfarrell.net\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1722"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}