{"id":38,"date":"2011-08-12T19:27:41","date_gmt":"2011-08-12T19:27:41","guid":{"rendered":"http:\/\/www.donfarrell.net\/?page_id=38"},"modified":"2019-07-23T22:09:57","modified_gmt":"2019-07-23T22:09:57","slug":"biography","status":"publish","type":"page","link":"https:\/\/www.donfarrell.net\/?page_id=38","title":{"rendered":"Biography"},"content":{"rendered":"<p><a href=\"http:\/\/www.donfarrell.net\/wp-content\/uploads\/2011\/08\/March-15-2016-for-website-2.jpg\" rel=\"attachment wp-att-2303\"><img decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-2303\" src=\"http:\/\/www.donfarrell.net\/wp-content\/uploads\/2011\/08\/March-15-2016-for-website-2.jpg\" alt=\"OLYMPUS DIGITAL CAMERA\" width=\"1100\" height=\"531\" srcset=\"https:\/\/www.donfarrell.net\/wp-content\/uploads\/2011\/08\/March-15-2016-for-website-2.jpg 1100w, https:\/\/www.donfarrell.net\/wp-content\/uploads\/2011\/08\/March-15-2016-for-website-2-300x145.jpg 300w, https:\/\/www.donfarrell.net\/wp-content\/uploads\/2011\/08\/March-15-2016-for-website-2-768x371.jpg 768w, https:\/\/www.donfarrell.net\/wp-content\/uploads\/2011\/08\/March-15-2016-for-website-2-1024x494.jpg 1024w, https:\/\/www.donfarrell.net\/wp-content\/uploads\/2011\/08\/March-15-2016-for-website-2-500x241.jpg 500w\" sizes=\"(max-width: 1100px) 100vw, 1100px\" \/><\/a><\/p>\n<p>Don Farrell &#8211; Born 1942 in Vancouver and has resided on Vancouver Island since 1999.<\/p>\n<p>Don chose self education which freed him to determine his direction through studying the fascinating considerations in Modern Art.\u00a0 \u201cArt schools are great and necessary, but in the early sixties automatic painting was in vogue and that wasn\u2019t for me at the time.\u201d<\/p>\n<p>Don was approached by fellow artist Jean Duffey, about submitting paintings for the Royal Institute of Painters in Water Colours 1984 Exhibition in London.\u00a0 To his complete surprise he not only had three paintings selected, he was awarded their top prize, the \u201cRI Medal\u201d and also received an honorary mention.<\/p>\n<p>Don was elected a full member of the Royal Institute of Painters in Water Colour in 1984, was also elected to full membership of the Royal Society of British Artists in 1985.<br \/>\n\u201cI attended the 1985 RI Exhibition, where I had the privilege of meeting Prince Charles, who wanted to purchase one of my paintings showing in the exhibition.\u00a0 Unfortunately, no one at the reception knew the piece had sold. The Royal Institute then asked me if I would do a similar painting for the Prince, which I happily provided.\u201d<\/p>\n<p>Don\u2019s work has been moving towards abstract considerations, focusing on composition in contemporary art. \u00a0 His work contains recurring motifs of tiny markings and shapes, as well as etched characters or patterns that can hint at a narrative.\u00a0 It is these qualities which makes Don\u2019s paintings all the more rewarding with each closer inspection and which give them there lasting appeal.<\/p>\n<p>He has participated in a number of Art Fairs in recent years, including the Royal Academy Summer Exhibitions in 2004 and 2005 and continues to participate in the RI Annual Exhibitions at the Mall Gallery in London.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Statement:<\/strong><\/p>\n<p>Learning from art history and connecting to the major developments in painting is fundamental to me.\u00a0 I have come to appreciate the need for abstraction and how it invites the viewer to participate with the artist, and this has led me to the feeling that orchestrating composition is the most important consideration in painting.<\/p>\n<p>A composition cannot succeed without genuine effort, sincerity, and above all visual poetry.<\/p>\n<p>Blending intellect with intuition is absolutely fascinating, because there are no formal considerations to follow other than knowledge and experience. The requirement and the pleasure of contemplation is most satisfying when searching for connections or symbols which we all share.<\/p>\n<p>My restricted palette allows me to concentrate on each composition\u2019s overall sense of balance and design, providing a contemplative feel and consistency. The slightest mark has impact and must be well-considered.<\/p>\n<p>The feeling for things, thoughts, and how we interpret has come to the forefront for me.\u00a0 I now ask myself, what is the prime consideration of this composition or series, and stay with it until the connection is there.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Public Exhibitions:<\/strong><\/p>\n<p>2005 Royal Academy of Arts Summer Exhibition, London<\/p>\n<p>2004 Royal Academy of Arts Summer Exhibition, London<\/p>\n<p>Royal Institute of Painters in Watercolours Annual Exhibitions, London<\/p>\n<p>1985-95 Royal Society of British Artists Annual Exhibitions, London<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Art Fairs:<\/strong><\/p>\n<p align=\"JUSTIFY\">2005 Toronto International Art Fair<\/p>\n<p align=\"JUSTIFY\">2004 London Art Fair<\/p>\n<p align=\"JUSTIFY\">2003 Works on Paper,\u00a0 Park Avenue Armory,\u00a0 New York<\/p>\n<p align=\"JUSTIFY\">2003 Art on Paper,\u00a0 Royal Collage of Art,\u00a0 London<\/p>\n<p align=\"JUSTIFY\">2003 London Contemporary Art Fair<\/p>\n<p align=\"JUSTIFY\">2002 Works on Paper,\u00a0 Park Avenue Armory,\u00a0 New York<\/p>\n<p align=\"JUSTIFY\">2002 Art on Paper,\u00a0 Royal College of Art,\u00a0 London<\/p>\n<p align=\"JUSTIFY\">2002 British Arts Fair,\u00a0 Commonwealth Institute,\u00a0 London<\/p>\n<p align=\"JUSTIFY\">2002 London Contemporary Art Fair<\/p>\n<p align=\"JUSTIFY\">2002 Royal College of Art,\u00a0 London<\/p>\n<p align=\"JUSTIFY\">2001 London Contemporary Art Fair<\/p>\n<p>2000 20\/21 Art Fair in London<\/p>\n<p>1998 Vancouver International Art Fair<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Galleries:<\/strong><\/p>\n<p>Adrian Hill Gallery, 2019, Holt, Norfolk, UK<\/p>\n<p>Buschlen Mowatt Gallery, 2006 &#8211; 2010, Vancouver, Canada<\/p>\n<p>Gallerie Art Mayence, 2006 &#8211; 20012, Mainz Germany<\/p>\n<p>Royal Academy of Art Summer Exhibition, 2005, London UK<\/p>\n<p>Gallery Jones, 2005 &#8211; 2006, Vancouver Canada<\/p>\n<p>Royal Academy of Art Summer Exhibition, 2004, London UK<\/p>\n<p>Adam Gallery, 2000 &#8211; 2007, London and Bath UK<\/p>\n<p>The Gallery on Cork Street, 2000-2001, London UK<\/p>\n<p>Elissa Cristall Gallery, 2000-2002, Vancouver Canada<\/p>\n<p>Atlas Gallery, 1998 Chicago, United States<\/p>\n<p>The Catto Gallery, 1996, Hampstead London UK<\/p>\n<p>Manor House Gallery, 1995-1998, Chipping Norton UK<\/p>\n<p>Sui Generis Gallery, 1995-1998, North Vancouver Canada<\/p>\n<p>Llewellyn Alexander Gallery, 1992- 2000, Waterloo London UK<\/p>\n<p>Linda Blackstone Gallery, 1992-1999, Pinner UK<\/p>\n<p>Shell House Gallery, 1991-1999, Ledbury UK<\/p>\n<p>Blackheath Gallery, 1988-1992, London UK<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Publications:<\/strong><\/p>\n<p>RI Then and Now<\/p>\n<p>Contemporary British Water-Colour Artists, Don Farrell &#8211; Shandong Fine Art Publishing House, China<\/p>\n<p>Design &amp; Composition Secrets of Professional Artists &#8211; International Artist Publishing Inc, USA<\/p>\n<p>Works hang in H.R.H. The Prince of Wales collection as well as private collections in the United Kingdom, Canada, Europe and the United States.<\/p>\n<p>Listed in &#8220;Who&#8217;s Who in Art in Britain&#8221;.<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Don Farrell &#8211; Born 1942 in Vancouver and has resided on Vancouver Island since 1999. Don chose self education which freed him to determine his direction through studying the fascinating considerations in Modern Art.\u00a0 \u201cArt schools are great and necessary, &hellip; <a href=\"https:\/\/www.donfarrell.net\/?page_id=38\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":3,"comment_status":"open","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/www.donfarrell.net\/index.php?rest_route=\/wp\/v2\/pages\/38"}],"collection":[{"href":"https:\/\/www.donfarrell.net\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.donfarrell.net\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.donfarrell.net\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.donfarrell.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=38"}],"version-history":[{"count":56,"href":"https:\/\/www.donfarrell.net\/index.php?rest_route=\/wp\/v2\/pages\/38\/revisions"}],"predecessor-version":[{"id":2464,"href":"https:\/\/www.donfarrell.net\/index.php?rest_route=\/wp\/v2\/pages\/38\/revisions\/2464"}],"wp:attachment":[{"href":"https:\/\/www.donfarrell.net\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=38"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}