Many considerations are evident in this wonderful still life. Miro has shown us his awareness of the picture plane, which was quite recent at the time, as well as spatial planes (cubism).
Miro is absorbing and refining these considerations with his own approach and sense of lyrical structure. This is the difference between mimicking and permitting yourself to be influenced.
He has a superb feeling for space as we see in the rhythmic triangles, particularly in the area above the tablecloth. Can you feel them in front of the background? We first sense the items, then the triangles and then background. In fact do you feel the triangles throughout the painting.
Let me take you to the bottom left of the table where Miro has provided a shape which appears to project forward. This is directly from Cezanne!
I’m very impressed with how he provided rhythmic lines below the pipe and fruit, providing them with energy. A very sophisticated way of integrating.
Now to the advertisement card. He has raised it to the picture plane as Braque and Picasso were experimenting with through using collage. Another influence Miro has permitted to show in his work.