This still life shows us one way Cezanne was moving away from perspective and allowing “movement” to find its place in his paintings.
What is intriguing is that this movement is not in the inanimate painting, it is the viewer that senses movement.
We see this in the wine glass and the cups above. Note how they are painted as if they are on the same level. In reality, this would not be possible unless the viewer is moving!
Cezanne has freed the viewer by removing the fixed horizon line, which permits the viewer to move, not physically, but imaginatively or subconsciously!